| 翻訳と辞書 |
| Art Libraries Society of North America ： ウィキペディア英語版 |
:''"Arlis" redirects here. For the ship, see USS Impetuous (PYc-46). The term also refers to the Alaska Resources Library and Information Services, based at the UAA/APU Consortium Library in Anchorage, Alaska''The Art Libraries Society of North America (also known as ARLIS/NA) was founded in 1972. It is an organization made up of approximately 1,000 art librarians, library students and visual resource professionals.==Activities== ARLIS/NA fosters excellence in art and design librarianship and image management, through activities such as:* meeting, networking, and sharing ideas in person at annual conferences,* publishing articles through publications such as ''Art Documentation'', occasional papers, and online publications,* providing a forum for professional communication, via listserv and a web site,* reaching out to future art librarians through scholarship awards,* recognizing excellence in the field through awards for research, service, and publication.http://www.arlisna.org/about/history.html==History==Before ARLIS/NA, art librarians organized under an American Library Association Round Table. However, ALA support was limited. Meetings were only held biannually, attendance was minimal, and professional progress slow. During the post-war years the world had opened up, and through the influence of popular magazines like Time (magazine) and Life (magazine), Americans were exposed to a range of cultures. According to William Freitag, “Hundreds of new museums and libraries were built every year…there was an explosion of publications in the traditional formats on all subjects.”Freitag. W. M. (Fall 1997) ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19. All of these developments led to the very real need for art librarians to organize.By the late 1960s, against ALA's wishes,Jacoby, T., et al. (Spring 2005). A Journey to Mr. Dewey's 700s: Speaking With Bill Dane. ''Art Documentation'' v. 24 no. 1 (Spring 2005) p. 42-9. a separate, short-lived art libraries group was created in conjunction with an existing museum sub-section of the Association of College and Research Libraries (ACRL), a division of ALA. This proved to be temporary, too, as support was again limited. According to William J. Dane,http://www.nytimes.com/2007/12/18/nyregion/18library.html?scp=1&sq=william+dane&st=nyt "We didn't like being called a sub-section. We didn't need to depend on ALA or ACRL. There were enough of us who said, 'The ''hell'' with you.' Once the idea of independence got going, it was irreversible." ARLIS/NA was founded by art librarians attending the American Library Association annual conference in Chicago and was the brainchild of Judith Hoffberg, who had been inspired by attending meetings of ARLIS/UK in London. The informal annual meetings of art librarians with College Art Association furthered the initiative to organize. According to Wolfgang Freitag, “The Association of College and Research Libraries was but one of several library organizations in which art librarians were enrolled at that time.”Freitag, W. M. (Fall 1997). ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.By 1982 a major section of ARLIS/NA had broken off to form its own group, Visual Resources Association (VRA).(【引用サイトリンク】title=Visual Resources Association ) Wolfgang Freitag said "The growth of the two organizations has strengthened the profession as a whole so that it is stronger today than we could have imagined thirty and twenty years ago. It is a consolation that this happened even though, or perhaps because, the two main branches of what to my mind is still an indivisible profession gained their strength by following different paths and by marching to different drummers."Freitag, W. M. (Fall 2003). Twenty years of estrangement, or what's in a name. ''Art Documentation'' v. 22 no. 2, p. 4
:''"Arlis" redirects here. For the ship, see USS Impetuous (PYc-46). The term also refers to the Alaska Resources Library and Information Services, based at the UAA/APU Consortium Library in Anchorage, Alaska''
The Art Libraries Society of North America (also known as ARLIS/NA) was founded in 1972. It is an organization made up of approximately 1,000 art librarians, library students and visual resource professionals.
==Activities==
ARLIS/NA fosters excellence in art and design librarianship and image management, through activities such as:
* meeting, networking, and sharing ideas in person at annual conferences,
* publishing articles through publications such as ''Art Documentation'', occasional papers, and online publications,
* providing a forum for professional communication, via listserv and a web site,
* reaching out to future art librarians through scholarship awards,
* recognizing excellence in the field through awards for research, service, and publication.〔http://www.arlisna.org/about/history.html〕
==History==
Before ARLIS/NA, art librarians organized under an American Library Association Round Table. However, ALA support was limited. Meetings were only held biannually, attendance was minimal, and professional progress slow. During the post-war years the world had opened up, and through the influence of popular magazines like Time (magazine) and Life (magazine), Americans were exposed to a range of cultures. According to William Freitag, “Hundreds of new museums and libraries were built every year…there was an explosion of publications in the traditional formats on all subjects.”〔Freitag. W. M. (Fall 1997) ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.〕 All of these developments led to the very real need for art librarians to organize.
By the late 1960s, against ALA's wishes,〔Jacoby, T., et al. (Spring 2005). A Journey to Mr. Dewey's 700s: Speaking With Bill Dane. ''Art Documentation'' v. 24 no. 1 (Spring 2005) p. 42-9.〕 a separate, short-lived art libraries group was created in conjunction with an existing museum sub-section of the Association of College and Research Libraries (ACRL), a division of ALA. This proved to be temporary, too, as support was again limited. According to William J. Dane,〔http://www.nytimes.com/2007/12/18/nyregion/18library.html?scp=1&sq=william+dane&st=nyt〕 "We didn't like being called a sub-section. We didn't need to depend on ALA or ACRL. There were enough of us who said, 'The ''hell'' with you.' Once the idea of independence got going, it was irreversible." ARLIS/NA was founded by art librarians attending the American Library Association annual conference in Chicago and was the brainchild of Judith Hoffberg, who had been inspired by attending meetings of ARLIS/UK in London. The informal annual meetings of art librarians with College Art Association furthered the initiative to organize. According to Wolfgang Freitag, “The Association of College and Research Libraries was but one of several library organizations in which art librarians were enrolled at that time.”〔Freitag, W. M. (Fall 1997). ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.〕
By 1982 a major section of ARLIS/NA had broken off to form its own group, Visual Resources Association (VRA).〔(【引用サイトリンク】title=Visual Resources Association )〕 Wolfgang Freitag said "The growth of the two organizations has strengthened the profession as a whole so that it is stronger today than we could have imagined thirty and twenty years ago. It is a consolation that this happened even though, or perhaps because, the two main branches of what to my mind is still an indivisible profession gained their strength by following different paths and by marching to different drummers."〔Freitag, W. M. (Fall 2003). Twenty years of estrangement, or what's in a name. ''Art Documentation'' v. 22 no. 2, p. 4〕
抄文引用元・出典: フリー百科事典『 Art Libraries Society of North America (also known as ARLIS/NA) was founded in 1972. It is an organization made up of approximately 1,000 art librarians, library students and visual resource professionals.==Activities== ARLIS/NA fosters excellence in art and design librarianship and image management, through activities such as:* meeting, networking, and sharing ideas in person at annual conferences,* publishing articles through publications such as ''Art Documentation'', occasional papers, and online publications,* providing a forum for professional communication, via listserv and a web site,* reaching out to future art librarians through scholarship awards,* recognizing excellence in the field through awards for research, service, and publication.http://www.arlisna.org/about/history.html==History==Before ARLIS/NA, art librarians organized under an American Library Association Round Table. However, ALA support was limited. Meetings were only held biannually, attendance was minimal, and professional progress slow. During the post-war years the world had opened up, and through the influence of popular magazines like Time (magazine) and Life (magazine), Americans were exposed to a range of cultures. According to William Freitag, “Hundreds of new museums and libraries were built every year…there was an explosion of publications in the traditional formats on all subjects.”Freitag. W. M. (Fall 1997) ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19. All of these developments led to the very real need for art librarians to organize.By the late 1960s, against ALA's wishes,Jacoby, T., et al. (Spring 2005). A Journey to Mr. Dewey's 700s: Speaking With Bill Dane. ''Art Documentation'' v. 24 no. 1 (Spring 2005) p. 42-9. a separate, short-lived art libraries group was created in conjunction with an existing museum sub-section of the Association of College and Research Libraries (ACRL), a division of ALA. This proved to be temporary, too, as support was again limited. According to William J. Dane,http://www.nytimes.com/2007/12/18/nyregion/18library.html?scp=1&sq=william+dane&st=nyt "We didn't like being called a sub-section. We didn't need to depend on ALA or ACRL. There were enough of us who said, 'The ''hell'' with you.' Once the idea of independence got going, it was irreversible." ARLIS/NA was founded by art librarians attending the American Library Association annual conference in Chicago and was the brainchild of Judith Hoffberg, who had been inspired by attending meetings of ARLIS/UK in London. The informal annual meetings of art librarians with College Art Association furthered the initiative to organize. According to Wolfgang Freitag, “The Association of College and Research Libraries was but one of several library organizations in which art librarians were enrolled at that time.”Freitag, W. M. (Fall 1997). ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.By 1982 a major section of ARLIS/NA had broken off to form its own group, Visual Resources Association (VRA).(【引用サイトリンク】title=Visual Resources Association ) Wolfgang Freitag said "The growth of the two organizations has strengthened the profession as a whole so that it is stronger today than we could have imagined thirty and twenty years ago. It is a consolation that this happened even though, or perhaps because, the two main branches of what to my mind is still an indivisible profession gained their strength by following different paths and by marching to different drummers."Freitag, W. M. (Fall 2003). Twenty years of estrangement, or what's in a name. ''Art Documentation'' v. 22 no. 2, p. 4">ウィキペディア（Wikipedia）』
■Art Libraries Society of North America (also known as ARLIS/NA) was founded in 1972. It is an organization made up of approximately 1,000 art librarians, library students and visual resource professionals.==Activities== ARLIS/NA fosters excellence in art and design librarianship and image management, through activities such as:* meeting, networking, and sharing ideas in person at annual conferences,* publishing articles through publications such as ''Art Documentation'', occasional papers, and online publications,* providing a forum for professional communication, via listserv and a web site,* reaching out to future art librarians through scholarship awards,* recognizing excellence in the field through awards for research, service, and publication.http://www.arlisna.org/about/history.html==History==Before ARLIS/NA, art librarians organized under an American Library Association Round Table. However, ALA support was limited. Meetings were only held biannually, attendance was minimal, and professional progress slow. During the post-war years the world had opened up, and through the influence of popular magazines like Time (magazine) and Life (magazine), Americans were exposed to a range of cultures. According to William Freitag, “Hundreds of new museums and libraries were built every year…there was an explosion of publications in the traditional formats on all subjects.”Freitag. W. M. (Fall 1997) ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19. All of these developments led to the very real need for art librarians to organize.By the late 1960s, against ALA's wishes,Jacoby, T., et al. (Spring 2005). A Journey to Mr. Dewey's 700s: Speaking With Bill Dane. ''Art Documentation'' v. 24 no. 1 (Spring 2005) p. 42-9. a separate, short-lived art libraries group was created in conjunction with an existing museum sub-section of the Association of College and Research Libraries (ACRL), a division of ALA. This proved to be temporary, too, as support was again limited. According to William J. Dane,http://www.nytimes.com/2007/12/18/nyregion/18library.html?scp=1&sq=william+dane&st=nyt "We didn't like being called a sub-section. We didn't need to depend on ALA or ACRL. There were enough of us who said, 'The ''hell'' with you.' Once the idea of independence got going, it was irreversible." ARLIS/NA was founded by art librarians attending the American Library Association annual conference in Chicago and was the brainchild of Judith Hoffberg, who had been inspired by attending meetings of ARLIS/UK in London. The informal annual meetings of art librarians with College Art Association furthered the initiative to organize. According to Wolfgang Freitag, “The Association of College and Research Libraries was but one of several library organizations in which art librarians were enrolled at that time.”Freitag, W. M. (Fall 1997). ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.By 1982 a major section of ARLIS/NA had broken off to form its own group, Visual Resources Association (VRA).(【引用サイトリンク】title=Visual Resources Association ) Wolfgang Freitag said "The growth of the two organizations has strengthened the profession as a whole so that it is stronger today than we could have imagined thirty and twenty years ago. It is a consolation that this happened even though, or perhaps because, the two main branches of what to my mind is still an indivisible profession gained their strength by following different paths and by marching to different drummers."Freitag, W. M. (Fall 2003). Twenty years of estrangement, or what's in a name. ''Art Documentation'' v. 22 no. 2, p. 4">ウィキペディアで「:''"Arlis" redirects here. For the ship, see USS Impetuous (PYc-46). The term also refers to the Alaska Resources Library and Information Services, based at the UAA/APU Consortium Library in Anchorage, Alaska''The Art Libraries Society of North America (also known as ARLIS/NA) was founded in 1972. It is an organization made up of approximately 1,000 art librarians, library students and visual resource professionals.==Activities== ARLIS/NA fosters excellence in art and design librarianship and image management, through activities such as:* meeting, networking, and sharing ideas in person at annual conferences,* publishing articles through publications such as ''Art Documentation'', occasional papers, and online publications,* providing a forum for professional communication, via listserv and a web site,* reaching out to future art librarians through scholarship awards,* recognizing excellence in the field through awards for research, service, and publication.http://www.arlisna.org/about/history.html==History==Before ARLIS/NA, art librarians organized under an American Library Association Round Table. However, ALA support was limited. Meetings were only held biannually, attendance was minimal, and professional progress slow. During the post-war years the world had opened up, and through the influence of popular magazines like Time (magazine) and Life (magazine), Americans were exposed to a range of cultures. According to William Freitag, “Hundreds of new museums and libraries were built every year…there was an explosion of publications in the traditional formats on all subjects.”Freitag. W. M. (Fall 1997) ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19. All of these developments led to the very real need for art librarians to organize.By the late 1960s, against ALA's wishes,Jacoby, T., et al. (Spring 2005). A Journey to Mr. Dewey's 700s: Speaking With Bill Dane. ''Art Documentation'' v. 24 no. 1 (Spring 2005) p. 42-9. a separate, short-lived art libraries group was created in conjunction with an existing museum sub-section of the Association of College and Research Libraries (ACRL), a division of ALA. This proved to be temporary, too, as support was again limited. According to William J. Dane,http://www.nytimes.com/2007/12/18/nyregion/18library.html?scp=1&sq=william+dane&st=nyt "We didn't like being called a sub-section. We didn't need to depend on ALA or ACRL. There were enough of us who said, 'The ''hell'' with you.' Once the idea of independence got going, it was irreversible." ARLIS/NA was founded by art librarians attending the American Library Association annual conference in Chicago and was the brainchild of Judith Hoffberg, who had been inspired by attending meetings of ARLIS/UK in London. The informal annual meetings of art librarians with College Art Association furthered the initiative to organize. According to Wolfgang Freitag, “The Association of College and Research Libraries was but one of several library organizations in which art librarians were enrolled at that time.”Freitag, W. M. (Fall 1997). ARLIS/NA at twenty-five: a reminiscence. ''Art Documentation'' v. 16 no. 2, p. 15-19.By 1982 a major section of ARLIS/NA had broken off to form its own group, Visual Resources Association (VRA).(【引用サイトリンク】title=Visual Resources Association ) Wolfgang Freitag said "The growth of the two organizations has strengthened the profession as a whole so that it is stronger today than we could have imagined thirty and twenty years ago. It is a consolation that this happened even though, or perhaps because, the two main branches of what to my mind is still an indivisible profession gained their strength by following different paths and by marching to different drummers."Freitag, W. M. (Fall 2003). Twenty years of estrangement, or what's in a name. ''Art Documentation'' v. 22 no. 2, p. 4」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|